Consent. Patience. Truth. Beauty. Surprise.
All photos on this site are my own. Currently I use a Fujifilm X-T5 and a range of fast Fujinon primes. My favorite is the 56mm f/1.2 dreamy-but-agile portrait lens, a focal length equivalent to 85mm in classic 35mm format.
The links below take you to the blog posts that double as my portfolio. If you’re considering me for a project let me know if you’d like to receive a viewbook or linklist tailored to your needs and interests. (I happen to love diving back into my archive and remixing new cuts, so don’t hold back.)
Objects speak the language of symbols. Places train the mind to think in three dimensions. And people show us how the same trembling humanity lives in us all.
I am drawn to clutter-free simplicity, parts that speak for the whole, and evidence of the unexpected. I like photos that capture an essential quality of a place, a person, a moment, an object, or an idea. My images are stills, but they often arise from physical and mental movement, internal and external transformation.
Twenty photos taken with my favorite portrait prime during another Sunday CI jam by Pracownia Ruchu Sytuacje at the studio in Twarda.
Twenty photos taken with my favorite portrait prime during the season’s first CI jam by Pracownia Ruchu Sytuacje at the studio in Twarda.
The new jam in Warsaw happens on Saturdays at Terminal Kultury Gocław. This post owes its life to a photo I happened to take after one such jam.
Photos from the fundraiser jam at the studio in Twarda, which was held on 2025 03 30 and facilitated by the one and only Andrzej Woźniak.
Photos from the focus jam at the studio in Twarda, which was held on 2025 03 29 and facilitated by the one and only Iza Maksymowicz.
Highlights from the third edition of the Warsaw-based CI mini-festival, which I have had the honor of co-hosting and photodocumenting.
My thank-you to twenty-twenty-four is a gallery of photos featuring some of those who trusted me to take their picture this year.
Photos from the event celebrating the independent choreographic writing publication that is about to drop as an actual nationally funded magazine.
Do the photos I took at Andrzej’s recent Underscore manage to convey the way an Underscore is no ordinary contact improv jam at all?
Here’s my entry for a recent photo contest I didn’t win. It consists of twelve archival photos, along with some all-new writing they inspired.
Over the course of a year, Andrzej Woźniak schooled me in Body-Mind Centering, Contact Improvisation, and playing well with others.
I only take pictures when the circumstances invite me to tell my version of the story. Thanks, Filip Wencki, for making it feel like home.
Photos from a CST contact improvisation class and jam held at MIK. They’re among my first attempts to tell this kind of story.
This one is about Ukrainian children in need, New York Empire Baseball, and the extraordinary foundation that brought them together.
The war next door has me thinking about the symbolism of those energetic and hopeful Ukrainian colors. May they be a sign.
Capturing those pink streaks in the sky is effortless now that I have been living with this remarkable western view for sixteen years.
Take a visual journey through the beaches and towns of Western Crete and imagine how cool that turquoise sea feels on a scorching August day.
Two years ago, a giant army-adjacent neon hijacked my favorite skyline. In this post I show and tell just how that has turned out.
When an introduction to city coincides with new professional challenges, the photos are rushed but the sense of discovery is doubled.
Website copyright © Natalia Osiatynska 2013–2026. All rights reserved.